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Radioscapes

Reimagining the Contours of Community Through Complex Broadcasting Systems

Dissertation completed in partial fulfillment of the requirements for the degree of Doctor of Philosophy from the Indiana University Department of Folklore and Ethnomusicology.

Submitted and accepted June 2026.

Click for detailed table of contents.

Front Matter

Introduction

"Radical Left 'Monsters'"

Chapter 1: Radio as Lightning Rod

Drawing Ire and Fire for the Public Good

Chapter 2: Radio as Resonance Chamber

Remapping and Unmapping Bloomington Through Sounds in Spaces

Chapter 3: Radio as Collective Improvisation

How Radiophonic Aesthetics of Care Emerge from Ethics of Relation and Experimentation

Chapter 4: Radio as Collage Art

Building, Navigating, and Activating Asynchronous Archives of Synchronous Sounds

Conclusion

Radio as Community

Appendix A

WFHB Rewind Archive Section Transcripts

Appendix B

WFHB Past and Present Archive Listening Station

Appendix C

WFHB Past and Present Host Monologues

Back Matter

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Detailed Table of Contents

i. Acknowledgments

ii. Abstract

iii. Companion Webpage

0. Introduction: “Radical Left Monsters”

0.1. “May It Outlive Us”

0.2. Coincidences and Complexities

0.2.1. (Community) Radio

0.2.2. (Radio) Communities

0.2.2.1. Geography

0.2.2.2. Affinity

0.2.3. Interconnected Social Systems

0.2.3.1. Scapes

0.2.3.2. Assemblages

0.2.3.3. Complex Adaptive Systems

0.2.3.4. The Commons

0.2.4. Space and Place

0.2.4.1. Human Geographies

0.2.4.1.1. Performance Geographies

0.2.4.2. Critical Urban Theory (and its Limitations)

0.3. Methods

0.3.1. Overview

0.3.1.1. Interviews

0.3.1.2. Participatory Action Research

0.3.1.3. Listening

0.3.1.3.1. Listening Frames

0.4. Chapters

0.5. On Position

1. Radio as Lightning Rod: Drawing Ire and Fire for the Public Good

1.1. Polarities

1.2. Media Capitalism

1.3. Filling Gaps: Radio Experimentation in the U.S.

1.3.1. The Pacifica Model: Collective Pacifism and Open Dialogue

1.3.2. The KRAB Nebula: Artistry in the 'Precious Aether'

1.3.3. Free-Form Radio: Programming for People

1.3.3.1. WQAX

1.4. “Semi-Organized Chaos”: WFHB and the Changing U.S. Mediascape

1.4.1. Beginnings

1.4.2. Town and Gown

1.5. Lightning Strikes Twice

1.5.1. September 2024

1.5.2. November 2024

1.6. Why Listen to Radio?

2. Radio as Resonance Chamber: Remapping and Unmapping Bloomington

2.1. Radioscape Routes

2.2. Notes on the Resonance Chamber

2.3. Radiophonic Aural Imaginaries

2.4. Mapping the Radioscape

2.5. Remapping the Radioscape

2.5.1. Everyday Programming

2.5.1.1. Scenes from the Northern Lights

2.5.1.2. Suomi Mainittu...

2.5.1.3. ...Torilla Tavataan

2.5.2. Studio Sessions

2.5.2.1. Live Music Series

2.5.2.2. Representation?

2.5.2.3. Enter: Lotus

2.5.2.4. A Global Citizen” on Local Radio

2.6. Unmapping the Radioscape

3. Radio as Collective Improvisation: How Radiophonic Aesthetics of Care Emerge from Ethics of Relation and Experimentation

3.1. Open Ears

3.1.1. Improvisatory Implications

3.1.2. Radiophonic Values

3.1.2.1. Relation

3.1.2.2. Experimentation

3.1.3. Emergence

3.2. Collective Improvisation as Crisis Response

3.2.1. Airborne Transmissions

3.2.1.1. March 14, 2020

3.2.1.2. 2020, Continued

3.2.1.2.1. Concerns of Space and Time

3.2.1.2.2. Technological Diversity

3.2.2. Radiophonic Aesthetics of Care

3.3. “Put Up the Antenna”

4. Radio as Collage Art: Building, Navigating, and Activating Asynchronous Archives of Synchronous Sounds

4.1. Collage Logics

4.2. The Social Life of Sound in the Age of Mechanical Reproduction

4.3. Archival Complexities

4.3.1. Radiophonic Archival Systems

4.3.1.1. Archival Frameworks

4.3.1.1.1. The Vrabely Collection

4.3.1.1.2. The WFHB Community Archive

4.3.1.2. Live Broadcast Events

4.3.1.2.1. Health Break, January 1, 1998

4.3.1.2.2. The Postcard Zone, May 28, 1997

4.3.1.3. Sound Objects

4.4. Critical Metacommunicative Archival Phenomena

4.4.1. (De/Re)contextualization

4.4.1.1. WFHB Rewind

4.4.2. Nostalgia

4.4.2.1. WFHB Past and Present

4.4.2.1.1. “A Light in the Darkness”

4.5. Past as Future

5. Radio as Community: Follies, Fundraising, and Places of the Possible

5.1. “We Have to Give Them the Chance”

5.2. Pitches and Matches

5.3. Places of the Possible

6. Appendix A: WFHB Rewind Archive Section Transcripts

6.1. “Who Owns the Media?”

6.2. “Authority and U: On the Anti-Democratic Campus.”

6.3. “The Mask of the Public Good: What the University Costs Community.”

6.4. “How Economics Affect Universities.”

7. Appendix B: WFHB Past and Present Archive Listening Station

7.1. Listening Station Segments

8. Appendix C: WFHB Past and Present Host Monologues

8.1. Introductory Speech

8.2. Speech Before Final Performance from Indianapolis-based Band Wishy

8.3. Concluding Remarks

9. List of Interviews

10. Works Cited

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